BIBLIO-FILMOGRAPHIC SOURCES

A complete list of the hundreds of musical, photographic, filmographic and bibliographic sources that bring together the immense collage that forms Letters on Love and War, will be added to the page when we complete the process in the course of its tracking and classification.

It is our intention to assume legal rights for the use of the musical pieces, photographs and image and sound clips that are subject to copyright. Currently we are in a phase of contacting the owners of the copyrights of the multitude of small pieces that compose Letters on Love and War. To all proprietors we request the use of their works, free of charge, considering the non-profit nature of this project. Not all proprietors give this permission. Given our limited infrastructure and the legal complexity of the world of author’s rights, the coordination of this work cannot be finalized until we receive the financial support that will allow us to both manage accumulated costs, which are already substantial, and allow us to finish pending work to complete the website Letters on Love and War.

Given our small infrastructure and the legal complexity of the world of copyright, the coordination of the contact with rights holders can not be completed until secure funding to allow us to address some part of accrued expenses, which are very substantial, and to finish the pending work to complete the web Letters on love and war.

Finally, it is necessary to clarify that it is still very difficult to trace the origin of some of the musical, photographic and audiovisual pieces reused in this great collage. If someone is considered to have been injured because reused pieces of his legal property, please contact the responsible of Letters on love and war via Ediciones del Caracol, a small publisher who works selflessly with this project.

Example of two moments of a shot used in a fragment of a story of Bruno Camino about the religious bias of the wars of Bush and his team. It is known that this shot, whose exact precedence is unknown, was in widespread use in Bush’s presidential campaign.